Author Archive
A Perfect Failure: Mary Gordon’s “City Life”
I always get a little nervous when a fictional character broadcasts loudly and forcefully what he wants. It’s the definitiveness that makes me uncomfortable, because that clarity of desire kicks off an unhealthy obsession; in the end, disappointment seems inevitable.
Opulence and Escalators: Xu Xi’s “Famine”
Every once in a while the short story gets its moment in the literary spotlight. It happened in 2008 when Elizabeth Strout’s linked story collection, Olive Kitteridge, won the Pulitzer Prize; and again in 2013 when the Nobel Prize committee recognized Alice Munro’s lifetime achievement in the form.
Edges and Awakenings: Paul Ruffin’s “Hog-Killing Weather”
Paul Ruffin had me at the title. It wasn’t the spectacle of the hog-killing I was drawn to so much as the way he undercuts the brutality to focus our attention on the weather. I liked the juxtaposition, the audacity of deflecting our attention from the sensational to the
In Both Directions: Elise Juska’s “Transfer Station”
When I started this series back in July, my plan was to write about a single Ploughshares story in each post, focusing on what each story might teach us about writing fiction. That a pattern in my story choice would emerge was unexpected.
Frontload the Strangeness: On Mark Slouka’s “Dog”
It seems that every book I’ve read recently has a talking animal in it. A new favorite is Max Porter’s novel, which begins with a protagonist opening the door to find a life-sized crow on his doorstep. The bird picks the man up, cradles him in his wings.
In Defense of Lingering: Ethan Canin’s “Pitch Memory”
As a teacher, I am occasionally accused of lingering. One poem by Emily Dickinson can fill an entire class. An hour isn’t too long to unpack the final page of Mary Shelley’s Frankenstein.