The need to figure out why we are who we are is what drew me to Elissa Altman’s memoir Treyf, a bittersweet and touching memoir of the author’s growing up years in 1970s New York City and Queens.
It's my opinion that Nora Ephron never should have left journalism. Sure there was a lot more money to be made writing and directing major motion pictures like When Harry Met Sally or Sleepless in Seattle, but Ephron had a gift for magazine writing.
The more I read about Paris, and whenever I am lucky enough to travel there, I want to know what Paris is really like, not just what I want it to be like. You don’t have to sugar coat it for me.
Crispin traveled to Europe chasing literary ghosts and looking for answers. The resulting memoir and travelogue takes on the twin themes of trying to understand the lives of others while hoping to make sense of her own confusing history.
Under the Sea-Wind takes readers to the ocean and illustrates through the power of words and a few elegant line drawings a fascinating and complex world most of us never stop to consider.
Here in America our expectations are grand. School followed by college, followed by a good job, a good marriage, a nice house in a good neighborhood where we’ll raise some good children who will have even more good things than we have. It’s the American Dream.
The brilliance of Neuromancer and what won it every literary award available—the Nebula, the Philip K. Dick and the Hugo—is its breakneck storytelling, which combines high technology, a classic tale of corporate greed, war, revenge, and politics with some dazzling writing.
Navigating through the hairpin twists and turns in le Carré novels is always fun and almost always challenging. In his Cold War novels, such as Tinker Tailor Soldier Spy, the plot is a subtle game of cat and mouse. The Little Drummer Girl was a change of pace.
Amy Tan's The Joy Luck Club is more than a book about mothers and daughters, although it's easy to choose sides while reading the generational 1989 novel.
The New York Times was not impressed with Bright Lights, Big City when it first appeared in 1984. “A clever, breezy--and in the end, facile documentary,” was what they said.