Author Archive

Yesterday is Tomorrow in Fatimah Asghar’s If They Come for Us

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In Fatimah Asghar’s acclaimed 2018 debut, the past is the present is the future. History, particularly the traumatic history of diaspora, echoes deafeningly through the narrator’s present-day pain, joy, oppression, and affirmation.

The Complicated Radicalism of Emily Wilson’s The Odyssey

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While a woman translating Homer’s epic is certainly a huge milestone, Wilson’s interpretation is a radical, fascinating achievement regardless of her gender.

We Have Always Lived in the Castle: A Prelude to a Myth

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Shirley Jackson’s novel takes an inverted approach to the feminist retelling of male-centric myths, starting out with relatable (if spooky) characters that eventually transform into the “neighborhood witch” archetype.

A Defense of Writerly Obsessions

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Every writer has obsessions. These range from overarching themes, like the exploration of Jewish identity that characterizes many a Philip Roth novel, to extremely, sometimes bizarrely, specific motifs. Where some would criticize this repetition as a dearth of original ideas, such lifelong attempts to work through fixations can be

Ariadne’s Journey to Consciousness in Analicia Sotelo’s Virgin

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Feminists have long attempted to “take back” feminine mythological figures and reconceptualize male-centric myths, but Analicia Sotelo’s poetry collection goes further, not only subverting feminine stereotypes but also challenging the common wisdom of the symbolic “feminine.”

Gillian Flynn’s Sharp Objects and the Repression of Women’s Anger

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Where other recent feminist works have focused on women’s anger sparked by sexual harassment, sexual assault, and rape, Flynn’s novel attributes this rage to unrealistic and gendered expectations of perfection.

In Defense of the Unsatisfying Ending: The Virgin Suicides

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When I read this passage at fifteen years old, I was furious. I thought this ending, which centered the boys’ narrative over the girls’, undermined everything that came before. I felt dissatisfied, like I had been cheated out of a proper ending. But that frustration was ultimately very productive.

The Conflicted Feminism of Little Women

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Louisa May Alcott’s 1868 novel mostly celebrates traditional gender roles and places a rosy, wistful haze over its portrayal of domestic life. But her well-rounded portrayal of imperfect women has afforded the novel a long-lasting relationship to feminist thought.

Leonora Carrington’s Surrealist Revolution

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Carrington’s novel seeks to upend retrograde Surrealist tropes about women. But rather than portraying a more typical feminist utopia in which women reign supreme, the novel aims to create a gender-neutral world that embodies a very different Surrealist ideal: pneuma.

Lydia Davis’s “Ethics” and the Instability of Logic

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The short stories of Lydia Davis, in spite of their infamous brevity, often work on at least three levels. In the case of “Ethics,” a paragraph-long fiction that humorously interrogates the Golden Rule, the story works as a character study, a reductio ad absurdum argument, and a larger