I’d never felt the urgency to see Arrowhead, Melville’s historic home in the Berkshire Mountains of Western Massachusetts, but suddenly robbed of my own social life, it was time for me to go and see why a writer, like Melville, would actually ask for such isolation.
Russell’s most recent book, chronicling a walk from the panhandle of Florida to the celestial city of Miami, comes to the conclusion that a walking journey should not only be a journey about the self, but also about how the self exists in a built environment.
Jason Diamond’s cataloging of suburban cultural touchstones is a crucial first step towards having a healthy conversation about the suburbs today because, without this consideration, there can be no reconsideration.
As she got older, anytime someone was thinking of leaving town, my grandmother would implore them to stay, reciting the refrain that has now become a family catchphrase: “Don’t go no place,” she’d say. Family is the place. Nobody understands this interpretation of the utopian ideal better than immigrant
We’ve spent so much time discussing Ignatius Reilly: his multi-dimensional, timeless creation, but have ignored saying the obvious about John Kennedy Toole—that much of the Dunces mythos is built on the back of his suicide.
Florida is in a constant state of post-apocalypse. Authors are not immune to this speculative affliction, and when they set their fantasies in Florida, the reinvention of language abounds.
Francisco’s newest book, presented simultaneously in English and Spanish, is that of a young poet matured, leaning into the naturalist observations present in his previous work and writing haiku with the precision and wisdom of a sure-handed veteran—while infusing them with a trademark sardonic wit.
Floridian literature provides us with some evidence that the state’s aggressive setting takes an occasional youth back as a tax, like a spiteful Old Testament god, haunting every scrub habitat, clear-cut forest, abandoned development site, or drained swamp.
Key West is an international port of entry, an island where man and boat collide violently so that the lines between them become hard to distinguish.
Following the conclusion of her Climate Visionaries project undertaken with Greenpeace, Jason Katz speaks with Lauren Groff about writing climate fiction, her climate-related work, and talking to our youngest about climate change.