Author Archive
America and The River Twice
Kathleen Graber’s newest collection asks how much her speaker is to blame for what she sees as troubling in American culture, and how identity might be formed in the crucible of condemnation.
Sadness, Metaphor, and Pedagogy in The Sword in the Stone
In the first book of T. H. White’s Arthurian saga, published in 1938, a young Arthur feels restless and sulky. Arthur’s stepfather shoos him away to Merlyn’s study for advice and a little cheering up, and Merlyn tells his pupil, “The best thing for being sad is to learn
Wuthering Heights and Language Play
What if Emily Brontë’s achievement in her only novel is really its dramatic correlation to her own passage from child actor to adult novelist, serving as a natural extension of her language play, and espousing play as necessary work?
The Secret Horror of The Haunting of Hill House
A secret horror isn’t magically eradicated because its spoken aloud. Rather, its implications spread, deepen, further infiltrating our complex web of relationships, our motivations, our dreams. In fact, some horrors can’t be named; the words fail us.
Faith and Sycamore
Kathy Fagan’s newest collection of poetry leans on its eponymous tree’s multi-colored, mottled trunks, its hefty size and spreading canopy, to provide a material figure for perseverance and resurrection, replacing those old images of “angel / wings of gold and mica.”
Visiting Haworth
From childhood, the Brontë siblings held each other’s intellects in high esteem and together made a web—a story-catcher—out of their own disparate interests, their ideas acting as warp and woof, their mutual love and respect a catalyst for their later works.
The Poetic Instant and Creative Criticism
I’ve often wondered about the efficacy of my academic training. What good did it do? The definitive effect hasn’t been a breadth of ready knowledge but rather a facility for surprise and a capacity for shaped responses to texts I call “creative criticism.”
The Moral Universe in Ninety-Nine Stories of God
Fiction writer and essayist Joy Williams wears sunglasses all the time—a fact that might be a walking metaphor. In Williams’ world, it seems, God is also wearing a pair of mirrored sunglasses, and after we tire of making funny faces at ourselves in His lenses, we start to panic.
The Modernism of Henry James’ Washington Square
James Lipton, theatre director and host of Bravo’s Inside the Actor’s Studio, has a pet theory about actors and entertainers he trots out on air from time to time, a theory he bases on hundreds of interviews: children of divorce often become artists—particularly of the theatrical sort. He describes
Horse Poems
Horses are ghosts. They are living reminders of our preindustrial past. Like ghosts, they remind us of uncomfortable things. For example, twenty-three racehorses have died running the track at Santa Anita since last December.
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