Allison Benis White’s prose poems evoke a world of loss and wonder, in which the mysteries of our daily lives are illuminated as a story that finds its shape in the telling. She is the author of three books of poetry, Self-Portrait With Crayon, Small Porcelain Head, and, most
Elizabeth A. I. Powell’s poems are adventures in language; they travel freely across the borderlands of genre and bring the reader along for an inventive, unforgettable ride.
The poems of Nigerian-born writer Gbenga Adesina speak to us across not only geographic distances, but also the vast expanses of the heart. His poems embody what he calls an “inexorable tenderness” that is often surprising, often moving—a voice that startles us awake to the possibilities of language.
Elizabeth Onusko’s poems are sharp-edged, sometimes bleak, but also very funny; they feel timeless, but also of the moment in their portrayal of the complicated emotions surrounding infertility, pregnancy and impending parenthood. We caught up to talk writing, editing, parenting, and how that third activity reshapes the other two.
Marianne Boruch’s poems delve into the quirks and oddities of our daily lives. We caught up at the end of a busy semester (or maybe it was the start of a new one) to talk about how poems happen, how books come together, and the quiet rituals of her
Eileen Pollack’s stories are smart, big-hearted, and thought-provoking. We recently caught up via email to discuss the differences between novels and short stories—and how changes in society can help novels find their audiences.
Monica Youn’s poems are precise, sharp-edged and fleet-footed; they always seem to be moving in three different directions at once. She is the author of three books of poems: Blackacre, Barter, and Ignatz, and her poems have appeared in numerous journals and anthologies. A former attorney, she now teaches
The poems in Allison Joseph’s recent chapbook Mercurial are wise and clear-eyed, charting moments of tenderness and emotion in everyday life. Her work encompass a number of different themes—from personal and family history, to self-image and style—and embody formal approaches as well as conversational yet musical free verse.
C. Dale Young's poems explore themes of personal transformation and self-discovery, delving into what binds people together and pulls them apart. His carefully crafted poems balance strong emotion with formal precision.
Margaret Rhee’s poems use the what-if of machines falling in love as a springboard to launch us into a strange, beautiful, unforgettable new world that is all her own. Earlier this year, we had the chance to talk about poems, robotic realities, and whether someday machines might really fall