President Trump appointed Jon Parrish Peede as the acting chairman of the National Endowment for the Humanities. Peede’s appointment comes at a time of heightened tension between the arts community and the Trump administration.
While New York remains the center of gravity in the publishing world, a new breed of independent presses in the nation’s capital are set to pull some of that force down south.
The idea that there is something unique, something exceptional about America, dates back to de Tocqueville and has firmly taken root in the nation’s literary and political imagination.
So much of the political news from the nation’s capital seems, these days, stranger than fiction.
A new tax reform blueprint offers some sense of where the Administration wants to take tax policy—and what it means for writers.
Today, one in seven Washingtonians are immigrants, which has shaped literary trends and artistic output.
Organizations engaged in the day-to-day work of running NEA-funded literary programs are continuing to serve their communities while facing potential budget cuts.
The literary community descended on Washington, DC last week for the Association of Writers & Writing Programs’ annual conference, and participants seized the opportunity to register their dissent with the current administration.
After an outpouring of reflections on the “literary presidency” of Barack Obama, the writers began to resist Donald Trump before he raised his hand in oath. But in this anxious moment, what should a writer or reader look for from the next administration? Are there signposts in the dark