Nature writing may not be everyone’s cup of tea, but add some cinema and cultural intrigue and you’ve got some evocative reading. Such is the case with Trudy Dittmar’s Fauna and Flora, Earth and Sky: Brushes with Nature’s Wisdom, a collection of essays from University of Iowa Press.
Australian Aboriginal novelist Alexis Wright’s latest offering, The Swan Book, brings us a dystopian satire with touches of magical realism. The futuristic tale takes place in Australia after climate change has ruined the world.
Women long dead become reanimated in Ladies Night at the Dreamland. We sit beside blood-splattered lovers in 19th century Tennessee, sway on a steamer across Italy with a fatally ill women, hear ghosts knock at the command of two New York sisters at the dawn of spiritualism.
Forget Haruki Murakami. Welcome to the world of Mariko Nagai and Asa Nonami. This month’s Asian lit coverage includes two Japanese short stories by Nagai and Nonami (which center on gender and death), some lit mags featuring a wealth of Asian lit—and a Japanese movie that’ll make you laugh
Catechism: A Love Story is not a romantic tale. It’s the story of the bride who ran away and the future bride who helped her. Author Julie Marie Wade, Lambda Literary Award winner for her memoir Without: Poems, doesn’t romanticize about finding love in this book-length lyric essay.
It might be considered anathema to our neighbors south of the Rio Grande but Phoneme Media is having a veritable publishing celebration of indigenous Mexican poetry. This small, indie publisher with one of the coolest catalogues of world lit understands what Anthony Seidman wrote recently in World Literature Today.
Why and when did you move from the Philippines to South Africa and how does one choose South Africa in particular? The quick answer would be because of a girl I met on holiday in the mountainous regions Philippines of the north. When I flew to South Africa on
The deeper you go into reading indigenous literature the greater your understanding of the human condition. Such is the case with Indigenous Writers of Taiwan: An Anthology of Stories, Essays and Poems. In these contemporary and compelling pieces we see beyond skin color, religion, and geographic location by placing
Taiwan is not China. Meet a Taiwanese person and one from mainland China and the difference is akin to the difference between an English person and an American. The schism goes beyond geography and flags. The rifts between the island nation and its gargantuan neighbor helped shape Taiwan’s
Leonardo DiCaprio called during his Golden Globes acceptance speech for viewers to deepen our appreciation and respect for First Nations tribes, and made-for-cable movies are showing Natives in a more positive, less violent light. But what about us writers and readers? Who among us is giving a shout out