Author Archive

Maternal Bodies in Vi Khi Nao’s Fish in Exile

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In Vi Khi Nao's Fish in Exile, Ethos and Catholic are grief-stricken at the deaths of their infant children. It is Catholic, however, whose body undergoes substantive change and becomes directly conflated with trauma and death.

Obsessive Tactics in Patty Yumi Cottrell’s Sorry to Disrupt the Peace

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In Patty Yumi Cottrell's novel Sorry to Disrupt the Peace, the narrator Helen Moran investigates her adopted brother's suicide, an effort complicated by Helen's own profound alienation. Relentlessly interior, discursive and associative, the novel reads as the direct outcome of Helen's grief, an inner crisis she attempts to control

Jean Genet’s Bodies & Borders

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In 1941, in Paris’s Prison de la Santé, Jean Genet was given three days’ solitary confinement for writing. On sheets of paper he’d been given to make into bags, Genet had begun his first novel: Our Lady of the Flowers.

Harm Was Done: Subversive Sympathy in Anakana Schofield’s MARTIN JOHN

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In Martin John, Anakana Schofield presents us with a sexual deviant hiding out in London having fled the West of Ireland. Where does this novel sit in relation to such works as Nabokov's Lolita and A.M. Homes' The End of Alice, and what role do such works serve?

Beyond Modernism: Eimear McBride and Embodiment 

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How does McBride employ and expand modernism? Is it her rendering of fragmented, burgeoning female subjectivities that defines her? Or is it her continuing to push form at the level of the sentence?​

A Radical Legacy: 90 Years of John Berger

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With several unforeseen upheavals in global politics over the last year, John Berger’s approach to art and literature as implicitly political seems more relevant than ever. Throughout his extensive oeuvre, Berger posited aesthetics as a radical vehicle for social change, and embraced the role of storytelling and criticism, of

Bhanu Kapil: Hybridity and Disembodiment

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Bhanu Kapil is a British-Indian writer concerned with migration, transformation, loss, and the hybrid text. In her slim, subversive books she considers bodies "at the limit of their particular life," and the embodied prose she fashions to depict them are strange, broken, and revelatory.