I wanted to begin this piece with a line like: “It’s dead, thank God” but Barthelme beat me to the punch thirty years ago in his essay “Not-Knowing.”
TV is no longer the second cousin to film; in many ways, it’s become the higher art form. And to a great extent, television has become society’s barometer—it shapes and tells us more about who we are than almost any other medium.
It's my opinion that Nora Ephron never should have left journalism. Sure there was a lot more money to be made writing and directing major motion pictures like When Harry Met Sally or Sleepless in Seattle, but Ephron had a gift for magazine writing.
What is the function of the artist and writer in a troubled society? What is our role in these uncertain and precarious political times?
The Western canon has no objective nomination process, which is why it is both axiomatic and controversial. But why have APIA voices been erased from the so-called “Great Books” for so long, and how should APIA writers respond to this longstanding erasure?
In my mind, Joan Didion and Annie Dillard are linked, two sides to the same coin, one the yin to the other’s yang. This is unfair to both women.
Clare’s writing is radical in its refusal to condense to a prescriptive right or wrong without ever sliding into passivity. His book, The Marrow's Telling: Words in Motion, was a 2008 Lambda Literary Award finalist. His 1999 essay collection, Exile and Pride: Disability, Queerness, and Liberation, was reissued by
Inside the craft-obsessed, time-warped fiction workshop where literary realism has reigned supreme forever, the Show-Don’t-Tell maxim serves an important function in critique.
Eileen Myles is a poet, novelist, performer and art journalist who ran a write-in candidacy for president twenty-five years ago when the bulk of our presidential candidates were straight, white, male, and wealthy. But you wouldn’t know any of this from their Instagram page, where their bio reads, simply,
Octavia Butler’s short story “Amnesty” is a tale in which an invasive species, called Communities, occupies desert areas on Earth and tests, uses, hires, and even “enfolds” (a sort of cocoon-like cuddle) humans for comfort and resources.