Gerard’s novel is a fascinating read for anyone looking to understand the world we’ll inhabit when the smoke of the Trump era clears—in particular, the world that’s being left to young people.
Ha is invested not in the myth itself but in what it helps us see. In her hands, the fairy-tale works as a photo filter, bringing into clearer relief her actual subject: the horrors of daily contemporary life.
Megha Majumdar’s debut novel forces us to see the inequities in the world, and the way desire for freedom is so often thwarted.
Shibli is a deft chronicler of the blinkering of life wrought by oppressive regimes, the way their manifold codes and proscriptions tighten around perception like a coil of barbed wire.
Does information protect or imprison us? Tracy O’Neill’s highly-anticipated second novel—part suspense story, part relationship drama and part commentary on the perils of our interconnected epoch—explores a world in which the truth is hard to determine, and even harder to prove.
Ampuero enters into critical dialogue with form and substance. Combining structures reminiscent of fairy tales and horror films, Ampuero upends these conventions by reversing tropes and decentering the male gaze.
Zhang’s novel is a treasure-trove of questions that devastate even as they beckon readers on.
Its comfort in the grotesque, the casual nature of it, is the most disturbing yet captivating aspect of the novel. Melchor’s debut drowns the reader in ominous truth, accentuating real life through fiction.
Emily St. John Mandel’s new novel continues her project of examining the immeasurable possibilities available in a single life.
In Tariq Shah’s debut novel, the protagonists finds a sliver of life in a world of death and, with that, a tiny bit of grace.