Though it’s less travel writing and more personal memoir, Laurence Sterne’s A SENTIMENTAL JOURNEY THROUGH FRANCE AND ITALY contains one of the most authentic, challenging descriptions of why one might journey from their home in the first place.
This month, I read three award-winning chapbooks—which happen all to have been written by women.
The sinister Jean Brodie continues to bewitch: decades after the publication of the novel that bears her name, the myth of her humanism persists; she has long been shorthand for a strain of idealism and independent thought that she never represented in the first place. The Prime of Miss
So what's inside the fortified small town of The Annie Year? The intimacy of a man "unbuttoning his pants to make room for the prime rib to move through his system" at a diner booth.
Much of the collection explores the way men navigate their early adult life, the infatuations, the friendships, the sense of belonging and not belonging. Protagonists try to discover who they really are. In the travel stories especially they seem to seek something elusive, irretrievably lost.
What forces turn someone who is, for the most part, fundamentally good into something possibly evil? This question lies at the heart of much horror. In his novella The Ballad of Black Tom, reimagining characters from the weird fiction universe of HP Lovecraft, Victor LaValle answers that question.
Sam Pinski is drowning. Sometimes, quite literally, but at least metaphorically, “she feels submerged in herself.” Sam seems to struggle to remain herself in a situation where everyone wants her to be their version of Sam Pinski, which is a lot of work on a family vacation.
Popular opinion says that during the holiday season, people either fall in love or reflect on their past year of life. Sometimes they do both, but it’s hard to manage these conflicting actions at the same time. One is active, expressive, and outward moving. The other is passive, observational,
In a novel about history, about generations, reading Swing Time is like suddenly remembering a song you used to love.
And though all the stories follow different lives and the situations they face, it is Farmer’s simultaneous childlike-wonder and knowing restraint that weave these stories together into one, strikingly cohesive collection.