Book Reviews Archive
Since When is unlike any poet’s memoir I’ve ever read. It’s a treasure.
At the center of Dissolve, a single line repeats four times: "I breathe it in." These inhalations encapsulate both the rich density and the immersive capacity of Bitsui's work.
In Unfurled, the reader is pulled forward in short, well-crafted chapters that simulate the rough-and-tumble journey through shock, grief, and the revelation of knowledge that the narrator initially rejects—that her mother survived and was in touch with her father.
In response to her novel, The Lake on Fire, Rosellen Brown has been compared to both Jane Austen and Tillie Olsen.
Though each of these poems embodies the heaviness of illness, their beauty is evinced in the pauses, the generous white spaces to be found in this book of poems.
Garza's use of language and suspense is so skillful that she can remind us of the artifice of fiction in one moment, holding us up so we can see everything in its place, and in the next push our heads back beneath the surface of its conceit.
But in Montreal, according to Freure's speaker, everyone is a loser in the best sense of the word.
Readers who rest in these meditative poems are sure to find the voice of the beloved Le Guin just as intriguing as they did in her prose.
Guadalupe Nettel's writing, in an excellent translation by Rosalind Harvey, is spare, occasionally eerie and always elegant.
As Barnett unfolds for readers the hours of a particular human life, she simultaneously asks readers to examine their own hours.