Poetry Archive

Review: WHEREAS By Layli Long Soldier

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Whereas  Layli Long Soldier Graywolf; March 7, 2017 120 pp; $16 Buy: paperback Few Americans seem to know much about the Indian Occupation of Alcatraz, and fewer still are acquainted with the Occupation’s “Proclamation,” a masterful document that deploys the language, diction, and vocabulary of unfair treaties and paternalism

Review: IN FULL VELVET by Jenny Johnson

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For her debut collection In Full Velvet, poet Jenny Johnson's address begins with “Thank you,” and it is radical, as if a muse might peer over the edge of her throne and say, “My, those are words I have not heard for some time.”

“Hyperconsciousness of the Historical Instability of Words”: An Interview with Monica Youn

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Monica Youn’s poems are precise, sharp-edged and fleet-footed; they always seem to be moving in three different directions at once. She is the author of three books of poems: Blackacre, Barter, and Ignatz, and her poems have appeared in numerous journals and anthologies. A former attorney, she now teaches

William Carlos Williams, Poet of Suburbia

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When I came in for a chicken pox shot, my mother mentioned to Dr. William Eric Williams that she could recite one of his father’s poems from memory. “Let’s hear it,” he said.

3 DoubleCross Press Chapbooks: Style Meets Sonority

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DoubleCross Press makes gorgeous letter press chapbooks. But these aren’t just pretty faces; it’s what’s on the inside—poetry, poetics and "prose-ish" pieces—that counts. This month, I review three of them.

“I was a house / I was a witch” : Muriel Leung’s “A House Fell Down on All of Us.”

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“I was a house. / I was a witch” declares the middle stanza of Muriel Leung’s “A House Fell Down on All of Us” from the newest issue of DRUNKEN BOAT. This poem, in my reading, functions to present intermingling transformations that perform whatever an opposite of distillation forecloses.

In Bookstores Near You: Donika Kelly’s Bestiary: Poems

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When Donika Kelly's debut collection of poetry, Bestiary, was released barely one month ago, it came as the winner of the Cave Canem Poetry Prize and a long-listed nominee for the 2016 National Book Award. From page one, it's obvious why.

Review: LUCINDA by John Beer

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Remarkably, Lucinda seems both composition exercise and confession (“once again the text finds itself / helplessly stuck between two distinct / critical foci, pinioned”), as unclassifiable and as exciting as the more than 200-year-old book that inspired it.

3 Chapbook Reviews: Loving and Living in Louisiana

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Sometimes, place is an obvious theme or motif in a work, while other times it informs a work in a subtler but still necessary way.

Review: WILLY LOMAN’S RECKLESS DAUGHTER OR LIVING TRUTHFULLY UNDER IMAGINARY CIRCUMSTANCES by Elizabeth Powell

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In this fantastic collection what is evident from the get-go is that the speaker is most definitely a daughter. She is also a wife, a mother, a woman of the deep heart and spirit. Reckless? No. Or, yes, if the heart is a reckless landscape of emotive temperaments, shifts,