At the center of Dissolve, a single line repeats four times: "I breathe it in." These inhalations encapsulate both the rich density and the immersive capacity of Bitsui's work.
Though each of these poems embodies the heaviness of illness, their beauty is evinced in the pauses, the generous white spaces to be found in this book of poems.
But in Montreal, according to Freure's speaker, everyone is a loser in the best sense of the word.
Readers who rest in these meditative poems are sure to find the voice of the beloved Le Guin just as intriguing as they did in her prose.
As Barnett unfolds for readers the hours of a particular human life, she simultaneously asks readers to examine their own hours.
Readers must view Dawson's book-length poem from an intersectional lens—regarding the impact on the narrative voices of the white gaze, the male gaze, and the gaze of the self—in order to fully experience its nuances.
Invoking the “boundless” and the “limitless,” Nezhukumatathil sets out a simple, yet profound, argument about our relations with the natural world: the more we feel the ocean’s embrace, the sooner we sense its particular “hum” everywhere.
Sarajevo Roses is a volume packed with journeys, but this is a poet who attends to the enduring as well as the transient, he constructs gritty, unsentimental pastorals in the noble peasant tradition of Clare, Hardy, Edward Thomas and Robert Frost.
Tale of Two Americas: Stories of Inequality in a Divided Nation Edited by John Freeman Penguin; Sept 2017 252 pp; $17 Buy: paperback | eBook Reviewed by Anne Kniggendorf In his collection of 36 essays, poems, and stories entitled Tales of Two Americas: Stories of Inequality in a Divided
Three of Philly’s poets, Pattie McCarthy, Alina Pleskova, and Rachel Milligan, have published chapbooks on a medieval visionary, conceptions of desire and identity, and the sometimes-creepy underbelly of reality.