Poetry Archive

Review: LUCINDA by John Beer

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Remarkably, Lucinda seems both composition exercise and confession (“once again the text finds itself / helplessly stuck between two distinct / critical foci, pinioned”), as unclassifiable and as exciting as the more than 200-year-old book that inspired it.

3 Chapbook Reviews: Loving and Living in Louisiana

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Sometimes, place is an obvious theme or motif in a work, while other times it informs a work in a subtler but still necessary way.

Review: WILLY LOMAN’S RECKLESS DAUGHTER OR LIVING TRUTHFULLY UNDER IMAGINARY CIRCUMSTANCES by Elizabeth Powell

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In this fantastic collection what is evident from the get-go is that the speaker is most definitely a daughter. She is also a wife, a mother, a woman of the deep heart and spirit. Reckless? No. Or, yes, if the heart is a reckless landscape of emotive temperaments, shifts,

Review: A WOMAN OF PROPERTY by Robyn Schiff

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A new kind of writing about motherhood may be emerging. Rachel Zucker's and Arielle Greenberg's Home/Birth, Brenda Shaughnessy's Our Andromeda, Eula Biss's On Immunity, and Maggie Nelson's The Argonauts, for example, are conscious in a contemporary way about new possibilities of childbearing and parenting, about choices and agency, yet

In Bookstores Near You

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William Wenthe’s latest collection, God’s Foolishness (winner of the L.E. Phillabaum Poetry Award with LSU Press), begins in mid-August, weighted with back to school and the anticipation for new opportunities . . . but also the dissatisfaction of unfulfilled goals.

3 Chapbook Reviews: Own Your Past, Believe The Present, Anticipate the Future

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For August, I read three chapbooks that dealt with ideas of past, present, and future in both overlapping and contrasting ways. They also each somehow dealt with ideas of spaces that became place for the writers, though sometimes these places were more about time than physical geography.

Review: THE AFTER PARTY by Jane Prikryl

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Jana Prikryl’s The After Party is one of those rare debut volumes, like Stevens’s Harmonium, in which we meet an already fully-inhabited voice. In some such cases, much unforeseeable development may be in store, as with Graham’s Hybrids of Plants and Ghosts; sometimes, as with Delmore Schwartz’s In Dreams

Divine Inspiration: Letting Dante Lead Me

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When I arrived in Florence for an extended trip, I was determined not to look like a tourist. I wanted to carry a leather-bound notebook and sit at sidewalk cafes drinking cappuccinos and looking thoughtful. Mostly, I wanted to read The Decameron and the last two books of The

Blackberries Forever

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In “Trances of the Blast,” the poem from the book by the same name, Mary Ruefle begins with a question and answer: “What is the code for happiness?/Blackberries forever.” Although the book—Trances of the Blast—came out several years ago, this particular line has haunted me ever since.

3 Chapbook Reviews: Beauties of the Web

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While publishing online can mean that a text is more easily widely circulated, the dedication that goes into presenting a chapbook online often goes unsung. For July, I read three e-chapbooks, and each of them had stunningly beautiful covers and design that enhanced the reading experience.