It might be considered anathema to our neighbors south of the Rio Grande but Phoneme Media is having a veritable publishing celebration of indigenous Mexican poetry. This small, indie publisher with one of the coolest catalogues of world lit understands what Anthony Seidman wrote recently in World Literature Today.
In these three queries, Jefferson attempts to distill the complex meteorological, demographic, and military features of Virginia into a series of data points. His prose—supplemented by graphical tables tracking everything from rainfall to carriage wheels—draws a fine grid over the natural and human activities of the Commonwealth.
Nikki Wallschlaeger is the author of the collection Houses and the graphic chapbook I Hate Telling You How I Really Feel, two arrangements that undercut artifice and underline activation energies. This month, I dove into one of her new poems from the most recent incarnation of The Journal Petra.
Tomás Q. Morín’s first book of poems, A Larger Country, won the APR/Honickman Prize and was runner-up for the PEN/Joyce Osterweil Award. It’s a collection that brings together a series of different times, places and characters (both historical and imagined) into a new world all its own, one that
Workshopping individual poems is one thing; working on a full chapbook or book manuscript is quite another. For the reader or writer who wants to put away the notion of poems as discrete, and to look for a demonstration of poems as part of a fuller structure or a
Little: Novels Emily Anderson BlazeVOX, August 2015 158 pp; $20 Buy: paperback The vogue for erasure poems continues, which is good news. Done skillfully, the erasure poem encompasses what Samuel Johnson called “the two most engaging powers of an author: new things are made familiar, and familiar things are
It’s a comet, no it’s a planet, no it’s not a planet, yes it is. What is it about Pluto that so draws us to it? Is it that Pluto is so far away? Or is it just that we always pull for the underdog? Over the past few
This is the fourth installment of a year-long journey through Thomas Jefferson’s Notes on the State of Virginia. You can read previous installments here, here and here. ** Query VI: “Productions mineral, vegetable and animal” A notice of the mines and other subterraneous riches; its trees, plants, fruits, &c.
This collection’s jacked up heart beats in its final piece, “Hatred of Happiness.” “Hatred of Happiness” rejects and buries practically every trope proposed by the mainstream LGBTQ movement. Gone are the banners calling for marriage equality and positive representations of gay life. Gone is the assertion that “we are
I’ve read Sarah Sgro’s poetry for about four years, and remain a consistent witness to its various evolutions and concentrations concerning femininity, food, sexuality, and waste. In the past year, Sgro’s work has flourished, wreaked havoc, and run amok through many journals. Because her pieces keep sharpening their knives,