Critical Essays Archive
Kathy Fagan’s newest collection of poetry leans on its eponymous tree’s multi-colored, mottled trunks, its hefty size and spreading canopy, to provide a material figure for perseverance and resurrection, replacing those old images of “angel / wings of gold and mica.”
I met the screenwriter and novelist Henry Bromell, born on this date in 1947, through Tillie Olsen in 1973.
I read Bryan Washington’s debut short story collection as I helped my family pack up my childhood home in Miami. I had moved to New Orleans over eight years before—close enough to drive back down, but still three states and a world away.
Edward Fenton’s 1982 novel is perhaps one of the better fictional accounts of living at the privileged periphery of a political and then refugee crisis. Importantly, it is also a children’s novel.
As Naja Marie Aidt goes about the Herculean effort of wrestling with her son’s death, she utilizes a remarkable variety of forms; her grief is expressed not only through the substance of her words, but through the structure of her text.
Olga Tokarczuk’s newly translated novel has been marketed as a murder mystery, albeit a strange one. It is that, partly, but underneath the whodunit is another novel: one about how our obsession with usefulness leads to greed, and the devastating impact of both on the environment.
Recently published stories by George Saunders and Kate Walbert are about remembering more than they are about the past.
The midwife has often been an ambiguous figure both in the history of literature and within the history of labor.
Glittering with playful weirdness alongside mystical spirituality, Leonora Carrington’s “My Mother is a Cow” converges with the Christian tradition of divine incarnation and infuses it with queerness.
André Aciman’s 2017 novel is a story specifically focused on desire in all of its forms, but it is the desire to reinvent oneself through romantic love that haunts the novel and is its motivating force.