Meena Kandasamy is a writer based in India and London. She writes poetry and fiction, translates, and often uses social media to discuss issues of social justice. She describes her own work as maintaining “a focus on caste annihilation, linguistic identity and feminism.” She has published two collections of poetry: Touch and Ms Militancy. Her first novel, The Gypsy Goddess, was published by Atlantic Books (UK) and HarperCollins India in 2014.
The focus of this interview is a collection titled #ThisPoemWillProvokeYou. Kandasamy’s poems, as the title suggests, often rely on a direct relationship with the reader. In this interview, we discuss language, protest, translation, and the role of the poet in the world.
John Rufo: Your newest chapbook, #ThisPoemWillProvokeYou, features a bifurcation: two sections, the first titled “Love” and the second titled “War.” Could you speak a bit about the inability of language(s) to successfully communicate and/or deconstruct, to commit war and to commit love? I love the poems because you use them to speak of things that don’t exist—or don’t exist yet—and do this incredible act of pointing, accusing, undermining the status quo, flipping off the crimes and situations permeating everywhere today through gang-rape, discrimination towards Dalits, and the loss of lives.
Meena Kandasamy: I do believe that languages are biased, fucked-up structures, clearly reflecting a lot of the status quo, reflecting the inequalities and very often reinforcing them. This does not mean that language does not contain the potential for revolution, or to serve as a call to arms. I’m with Toni Cade Bambara (who, to paraphrase very wildly) once said: “The role of the radical artist is to make the revolution irresistible.” I think language can be used to mask grave crimes (the language of United Nations reports, for instance), or to send across stereotypes, or even sometimes to denude us of all feeling, all outrage. Capitalism does this successfully—using happiness and beauty to sell—and to extend its interests without worrying about the imbalance and inequality. I think this one reason why the role of a poet becomes important—you are not only saying things but you are also digging out the weapons in the arsenal of language, you are reclaiming love, you are celebrating beauty.