Interviews Archive

The Narrative Conscience: An Interview With Connie May Fowler

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Connie May Fowler’s new memoir, A Million Fragile Bones, is the story of finding home on a Florida sandbar, a migratory crossroads for monarchs, hummingbirds, purple martins, where “dragonflies stir the air with the metallic thrum of transparent wings.”

Writing as Activism: An Interview With Jay Baron Nicorvo

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I first heard Jay Baron Nicorvo give a reading in the summer of 2009. Last month, Jay’s debut novel The Standard Grand released from St. Martin’s Press. I had the chance to chat with Jay about his work and its intersection with this moment in American history.

“To resuscitate that stifled voice”: An Interview with Robin Richardson on Minola Review

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Robin Richardson is the author of two collections of poetry, and is Editor-in-Chief at Minola Review. Her work has appeared in Salon, Poetry Magazine, Hazlitt, Tin House, Partisan, Joyland, and The North American Review, among others. She holds an MFA in Writing from Sarah Lawrence College, and has been

“A Poet of the Intimate Spaces”: An Interview with Gbenga Adesina 

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The poems of Nigerian-born writer Gbenga Adesina speak to us across not only geographic distances, but also the vast expanses of the heart. His poems embody what he calls an “inexorable tenderness” that is often surprising, often moving—a voice that startles us awake to the possibilities of language.

“These poems are extroverts”: An Interview with Emily Izsak

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Emily Izsak is one of the sharpest young poets I’ve seen in some time. She is currently in her second year of U of Toronto’s MA in English and Creative Writing program. Her work has been published in Arc Poetry Magazine, The Puritan, House Organ, Cough, The Steel Chisel,

Translating Turkish: Interview with Dr. Mutlu Konuk Blasing and Poet Randy Blasing

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In the third installment of the “Translating Turkish” series, I had the honor of speaking with Dr. Mutlu Konuk Blasing and Randy Blasing, the formidable translators of Nazım Hikmet. The Blasings have translated six books of Hikmet's poetry together, and on their own they have a long record of

“Listening to my friends is one of my favorite ways to write”: An Interview with Durga Chew-Bose

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"I found it touching and also rare to read about awe. It made me want to write because so much of my experiences, the ones I remember at least, involve appreciation. Or maybe I just confuse seeing with appreciating?"

Editorial Argonáutica: A Tiny Interview With Efrén Ordóñez

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Editorial Argonáutica is the brainchild of Efrén Ordóñez and Marco Alcalá, both accomplished writers and translators in their own right who decided in 2015 that the world needed a publishing house that would be global in its outlook and that would celebrate the translation and promotion of writers whose

Speaking for Everyone, Speaking for No One: The Question of (APIA) Canonicity

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The Western canon has no objective nomination process, which is why it is both axiomatic and controversial. But why have APIA voices been erased from the so-called “Great Books” for so long, and how should APIA writers respond to this longstanding erasure?

“Becoming A Parent Made Me A Ruthless Editor of My Own Work”: An Interview with Elizabeth Onusko

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Elizabeth Onusko’s poems are sharp-edged, sometimes bleak, but also very funny; they feel timeless, but also of the moment in their portrayal of the complicated emotions surrounding infertility, pregnancy and impending parenthood. We caught up to talk writing, editing, parenting, and how that third activity reshapes the other two.