Monica Youn’s poems are precise, sharp-edged and fleet-footed; they always seem to be moving in three different directions at once. She is the author of three books of poems: Blackacre, Barter, and Ignatz, and her poems have appeared in numerous journals and anthologies. A former attorney, she now teaches
2017 came, and I was in the market for words to live by. I needed a mantra to get me through the month of January. Miraculously, I found them four days into the new year: “We’re all special once we get to know each other.”
I found these words in
Erin Wunker teaches and researches in the fields of Canadian literature and culture. She is chair of the board of Canadian Women in the Literary Arts (CWILA) and co-founder and managing editor of the feminist academic blog Hook & Eye: Fast Feminism, Slow Academe.
Claire Vaye Watkins, author of the celebrated collection Battleborn and widely acclaimed novel Gold Fame Citrus, talks with me about writing and living the West, conservation and resistance and optimism in the world of Trump, and faith in the "California experiment."
Linda LeGarde Grover’s fiction and poetry reveal Native American lives in ways that don’t cater to expectations or alienate non-Native readers from gaining a deeper understanding of the culture.
Brit Bennett talked with me about her new novel "The Mothers," and about the power of place--writing in the West through many communities--"performing California-ness," the weird excitement for wildfire season, forever building piers into the ocean, and In-N-Out burger.
Bodies in literature always bear the first marks of difference. What isn’t recognized as “normal” (meaning, not perceived as male, cis, straight, white), always verges on the monstrous, to be rejected or feared, or at the very least cloaked in mystery.
I originally met Rhonda Douglas back in 1992, when we took the same creative writing (poetry) workshop at the University of Ottawa, conducted by Ottawa writer Mark Frutkin.
It’s hard to know where to start in describing the many ways that Mahogany L. Browne has given to the poetry community, and more broadly to the current cultural moment.
The poems in Allison Joseph’s recent chapbook Mercurial are wise and clear-eyed, charting moments of tenderness and emotion in everyday life. Her work encompass a number of different themes—from personal and family history, to self-image and style—and embody formal approaches as well as conversational yet musical free verse.