Interviews Archive

“Uninhibited Openness”: An Interview with Dario Robleto, Materialist Poet

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Conceptual artist Dario Robleto has been aptly described as an alchemist, cultural archeologist, and “raconteur in the ancient way.” By his own definition, he is a “materialist poet”—a term that encapsulates his method of creating sculptural responses to lyrical material lists that mediate on the human condition. From black
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Indie Spotlight: McPherson & Company

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  McPherson & Company began with a simple mission just over 40 years ago. Bruce McPherson was enamored of his friend Jaimy Gordon’s manuscript Shamp of the City-Solo, so when Gordon was unable to find a publisher, he decided to put it out himself. While he didn’t intend to
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“So that the poem is an act of discovery”: An Interview with Brian Komei Dempster

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Brian Komei Dempster received the 15 Bytes Book Award in Poetry for his debut collection, Topaz (Four Way Books, 2013), which examines the experiences of a Japanese American family separated and incarcerated in American World War II prison camps. Through their interwoven narratives, his poems show us how the past
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“You start out in difficulty”: An Interview with Dan Albergotti

Dan Albergotti is the author of two books of poems, The Boatloads (BOA Editions, 2008) and Millennial Teeth (Southern Illinois University Press, 2014), as well as a limited-edition chapbook, The Use of the World (Unicorn Press, 2013). A graduate of the MFA program at UNC Greensboro and former poetry
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“She did not let go until her story had been told”: An Interview with Sandy Longhorn

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Sandy Longhorn is the author of three collections of poems, Blood Almanac (Anhinga Press, 2006), The Girlhood Book of Prairie Myths (Jacar Press, 2013) and The Alchemy of My Mortal Form (Trio House, 2015). She teaches at Pulaski Technical College in Little Rock, Arkansas, and co-edits Heron Tree, “a
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Conquistador: A Tiny Interview with Rafael Acosta

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It’s no secret that Mexican letters are making a comeback. Though it should be said Mexican writers have never left the building. They’ve been around: working, translating, publishing in plain sight as the rest of the western world goes on lamenting boom writer after boom writer’s death. In the
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“An Essay Needs to be about Exploring”: An Interview with Angela Pelster

Angela Pelster is the author of Limber (Sarabande Books, 2014), for which she won the Great Lakes College Association New Writer Award. This book was first described to me as a “collection of essays about trees,” which is like saying Moby Dick is a book about a whale. Trees
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Indie Spotlight: Ampersand Books

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Founded by Jason Cook, Ampersand Books is the epitome of publishing in the twenty-first century—brash, fresh, and aggressive. Ampersand, and its imprint Bloody Fine Chapbooks, have moved at a breakneck pace on a shoestring budget to produce a list of books thick with dark wordplay and wry humor. From the
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“Bringing the Poem Back to the Actual”: An Interview with David J. Daniels

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David J. Daniels writes poems that sneak up on you. Smart and worldly, emotional and funny, they convey a sense of life-as-it’s-lived: culture both high and low, our strivings and failings, the countless ways we let each other down and hold each other up. Because of the immediacy of
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“It’s All About the Panic”: An Interview with Mary Biddinger

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Mary Biddinger’s poems are poignant, playful, a little mysterious, in love with language, and full of surprising connections: between music and meaning, between memory and imagination, between nostalgia and a yearning for what’s next. I’ve read and admired her poems since we were in the same undergraduate workshops at
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