Whitney Terrell’s 2016 book The Good Lieutenant was selected as a best book of the year by the Washington Post, the Boston Globe, and Refinery 29. Terrell also happens to be my former student.
Leslie Harrison’s poems are meditative and thoughtful, yet fleet-footed, quick to change direction. They show us a mind in motion, questing and questioning, wrestling with complex feelings and ideas.
William Kemp is a founding editor at Toronto-based words(on)pages, an organization that self-describes as one “that supports, promotes, and engages emerging writers in Canada through workshops, publications, a prize, and a reading series.”
I attended Jessie Chaffee’s reading at DC’s Politics & Prose, where she read from her debut novel Florence in Ecstasy (Unnamed Press, May 2017). Afterward we decided to extend our conversation about her process and the role of place in her work into an interview.
What is the function of the artist and writer in a troubled society? What is our role in these uncertain and precarious political times?
From a handful of chapbooks through his first two collections, poet Marcus McCann’s work has become more confident and more willing to experiment, managing an incredibly precise linguistic and lyric gymnastics. Here, he talks about his latest collection, Shut Up Slow Down Let Go Breathe.
I spoke with Dr. Erdağ Göknar, an award-winning scholar, poet, and translator, about how his diaspora background contributes to his work, his approach to translation as a creative act, and the limiting factor of editorial expectations in publishing Turkish texts in translation.
Allison Benis White’s prose poems evoke a world of loss and wonder, in which the mysteries of our daily lives are illuminated as a story that finds its shape in the telling. She is the author of three books of poetry, Self-Portrait With Crayon, Small Porcelain Head, and, most
Kate Schapira is a Providence-based poet, essayist, teacher, and activist, whose ongoing Climate Anxiety Counseling project is a thing of rhizomic, open-bracketed beauty, the subtle complexity of which half eludes and completely captivates me.
Elizabeth A. I. Powell’s poems are adventures in language; they travel freely across the borderlands of genre and bring the reader along for an inventive, unforgettable ride.