McPherson & Company began with a simple mission just over 40 years ago. Bruce McPherson was enamored of his friend Jaimy Gordon’s manuscript Shamp of the City-Solo, so when Gordon was unable to find a publisher, he decided to put it out himself. While he didn’t intend to continue in the publishing world, the novel’s success convinced him otherwise.
McPherson has since put out two more of Gordon’s novels, including 2010’s National Book Award Winner Lord of Misrule, as well as more than a hundred fifty award-winning and best-selling titles that expand far beyond the realm of contemporary fiction.
McPherson & Co. now publishes translations, such as Divine Punishment by Nicaraguan writer Sergio Ramírez, which Carlos Fuentes lauded as “the quintessential Central American novel,” and a fantastic line of “Recovered Classics,” republishing authors whose work has been long out of print, including modernist writer Mary Butts and poet and essayist Edward Dahlberg. Plus, there are books on art and culture, belles lettres, and even some esoteric film DVDs of early art “happenings” by Claes Oldenberg.
Almost as impressive as McPherson & Co.’s wide range of offerings is the company’s support of independent bookstores. McPherson carefully manages its distribution, sending titles to independent bookstores weeks before they’re available elsewhere, with the rationale that independent bookstores inevitably support “independent writers from independent publishers,” and deserve McPherson’s support in return.
For Ploughshares readers and authors, McPherson shares how he’s remained independent these four decades, what he looks for in a McPherson title, and where McPherson is headed in the 21st century.
KF: McPherson has had an amazing run since its inception as Treacle Press in 1974. It’s almost a given at this point that every year a McPherson title will win national recognition, whether it’s an Independent Publisher IPPY award, a Pen Center or National Book Award, or inclusion on any number of “best of” lists. What editorial decisions regarding manuscripts do you think contribute to this level of excellence?
BM: It may sound pretentious to say that I simply publish books that seem to me important and worth sharing. But as an independent publisher, without directors and shareholders, I’m free to take risks that others perhaps can’t. I go for the best I can find (or who find me), and throw everything I’ve got behind the books I choose to do. It’s not really all that hard these days to find material of the highest quality. The Big Six still publish excellent books, of course, but seem to have relinquished entire provinces of literature to smaller publishers. Over the years I’ve been fortunate to meet and become friends with writers not only from around the country, but from around the world. Add to this that it’s not uncommon for my authors to point their friends in my direction. Sadly, the front list is very small, three or four books a year. I can’t begin to take on all the books I’d like to publish, and it’s painful having to disappoint authors whose work I revere. At the Book Expo America the other day, a Canadian publisher said he thought we’re living in a golden age of literary publishing. I believe him; the difficulty comes with convincing the reading public.Continue Reading