Some argue that Fearless Girl is not a “legitimate” work of art because its meaning is dependent on Charging Bull, but works of art often appropriate parts (or even all) of other works in order to synthesize new meaning.
Here in America our expectations are grand. School followed by college, followed by a good job, a good marriage, a nice house in a good neighborhood where we’ll raise some good children who will have even more good things than we have. It’s the American Dream.
Robert Pirsig died last month at the age of eighty-eight. His death was covered widely, but within a day or two it had been washed away by the torrent of offenses and outrages known as the “news cycle.”
Grappling with the complexities of Annemarie Schwarzenbach’s life–falling in love with her, in a way–entails addressing not just her political and ideological stances in light of her personal relationships, but also the realities of queerness within history, and the interplay of both of these aspects.
I first read Sophie’s Choice the summer after I graduated from college. I don’t know why I waited so long. I had spent large portions of my childhood compulsively reading Holocaust memoirs. My mother, a children’s librarian, made phone calls and drove me to libraries in other towns to
Garland uses the detective story to place the gay experience of the era through a guided lens. The novel opens in a way you’ve heard before: a mysterious woman enters a man’s office unannounced. Only, the office isn’t a private eye’s but a bisexual psychiatrist’s, and the woman’s dead
These articles are by no means an answer to a dangerous societal deficit that constantly stereotypes, punishes, and kills Black people. But the conversations that they both start and continue are ones that need to be had.
Social science doesn’t have to be dry and statistics-laden. Sociology writing can be as vivid and gripping as fiction, when done well. Luckily there’s no shortage of compelling US sociology books, or sociologists.
Driving through southern fields makes visible one of the persistent paradoxes of American production: the coexistence of excess and need. Jean Toomer, writing in 1923, illustrates the disconnect between agricultural abundance and personal lack in his poem “Harvest Song.”
Over the past several months, I have steeped myself in Tagore, trying to imbibe his songs and poetry and to know him as a man. As a Nobel Prize winner and a towering literary figure, Tagore is a cultural icon of Bengal. I have sought his soul and prided