I can’t tell you the last time I prayed. At least, not in the way that the narrator does in Caitlin Horrocks‘ recent story, “Prayer for the moth, but also for the spider,” in issue 21 of Memorious. I spent twelve years in Catholic school, so I can recite a mean
There was once a time when we’d all sit around reading essays on how novels are dead. We’d gather in the parlor of an evening—mother, father, daughter, son—the Victrola softly playing in the background, and each read, in our own various evening papers, about the death of the book.
In our Writing Lessons series, writers and writing students will discuss lessons learned, epiphanies about craft, and the challenges of studying writing. This week, we hear from Steve Lewis, a faculty member at the Sarah Lawrence Writing Institute. You can visit Steve’s website at www.stevelewiswriter.com. —Andrew Ladd, Blog Editor Back
For most of the nonfiction books I sell, the editors I’m selling to have a lot of objective information on hand to guess at a title’s potential success: the author’s Twitter following, other books on the same subject, other books by the same author, the popularity of magazine articles
Dear Sally, I’m a single mother with four kids—everything from tweens to a would-be adult—and I just went back to work full-time. I tell people I’m a writer, but lately I’m a just a thinker, collecting details and perhaps inspiration but never transposing them to the page. I read
I don’t often love stories told from the perspective of kids. I think it’s difficult to write a child that feels believable—or interesting, to be honest. For me, stories with a child or teenage narrator too often devolve into the overly cute. The narrator is too precious. The character’s
In our Writing Lessons series, writers and writing students will discuss lessons learned, epiphanies about craft, and the challenges of studying writing. This week, we hear from Emily Maloney, a student in the MFA program at the University of Pittsburgh. You can follow her on Twitter @emilyfmaloney. —Andrew Ladd, Blog Editor
When Rose Metal Press entered the book scene in 2006, they quickly established themselves as a go-to publisher for experimental flash and micro work. The range of their list is impressive, from Jim Goar’s Louisiana Purchase, a poetry collection giving a surreal spin to the history of the American
A rule I learned as an editor: when you look at a book’s acknowledgments, the effusiveness of praise for an editor is inversely proportional to the effort he or she put into the book. If a writer goes on and on about her editor, that editor did almost nothing.
Being in a relationship with someone in the same profession is tricky business. While there is a shared understanding of the ins and outs, it can also cause friction, particularly in competitive fields. Dating a writer was one of my bigger relationship snafus—his ego often made our duo a