Writing Advice Archive
You can learn about writing by studying the masterpieces in art because every masterpiece, whether it’s a piece of music or literature or visual art, has essentially the same ingredients.
In early creative writing classes, we’re often told to avoid tropes, told that they’ll make our writing cliché. It’s good advice for writers just beginning their craft, but it’s not sound advice for an entire career.
I learned how to write by going to art school and becoming a visual artist. Color, light, perspective, scale—I use these same visual tools in my writing. But of all the practices I use as an artist, the practice of using objects has helped my writing most.
What It Is is expressionistic and difficult. Before the techniques are imparted (and they are, eventually) Lynda Barry spends more than one hundred pages blending comic panels, short passages of autobiography, and gorgeous, bizarre full page collages that explore the fundamentals of craft and creativity.
Sharply written, these intimate and insightful exchanges dispel the myth that perhaps we all, writers or not, have come to believe about our own narratives, our own lives: “The worst story that we can tell ourselves is that we are alone.”
Claire Vaye Watkins, author of the celebrated collection Battleborn and widely acclaimed novel Gold Fame Citrus, talks with me about writing and living the West, conservation and resistance and optimism in the world of Trump, and faith in the "California experiment."
The subway has always been the great equalizer of New York City: it’s how the 99% of us get around. The best people-watching happens here, and the city’s art and culture scene extends deep underground.
Voice is an intangible but discernible sensibility that threads through and ties together a body of work. It can be loud or quiet, but we always feel it.
Many writers have explored the pleasures of walking, including the likes of Virginia Woolf and Amy Hempel. There is a whole canon that depicts and analyzes the connection between moving through geographical terrains and mental ones.
In "Route Talk," an episode from the first season of Serial, Sarah Koenig and her producer attempt to recreate the state’s timeline of the murder of Hae Min Lee. As I listened, I was struck by how similar their exercise was to one creative writers perform.