Obsession, loss of innocence, grief, forgiveness, belonging. Readers of Livesey’s impressive oeuvre will recognize these recurring themes; each one of her novels animates different variations on these experiences. Her ninth novel, out today, explores them, too, via a seamless kaleidoscopic narrative and artful suspense that propels the story along.
Iris Martin Cohen’s new novel is a reflection, a condemnation, and a compassionate call to action; it is the story of how we can start to open our eyes to see better and do better.
Elisa Gabbert’s new essay collection is both an examination of conscience and a cataloging of modern American anxiety. It touches our pressure points with the intention of helping us identify sources of pain in our own lives.
The making of necessary new systems of justice and wellness will not be a single act of creation; it will be—and already is—an ongoing act of collaborative composition.
The essays in this collection come together to detail not just the bravery and struggles of reporting as Arab women, but also to broaden our assumptions about journalistic neutrality, to resist the dehumanizing portrayal of Arabs, and to challenge the way we judge and perceive the value of a
Betsy Bonner’s new memoir offers no solutions for the gap between the idea of unconditional love and limited human experience. Less an exorcism than a tribute, it strives to make every stylistic quirk mirror the halting but deeply-felt contours of her relationship with her sister.
The problematic nature of evictions has come to greater prominence in recent weeks. Such attention is gratifying and long overdue, and in this context, Matthew Desmond’s 2016 book offers an important example of how writing can speak on complex social problems while being respectful of the subject matter and
Lisa Fishman’s new collection is an honest and ongoing wrestling with the vocation of poetry itself.
Kristen Millares Young’s novel explores the idea of people’s histories and stories, whether personal or communal, as places that can anchor or be explored and learned from.
Landragin’s new book can be read in paginated order, moving through each of the three books within in turn, or it can be read in the “Baroness Sequence,” which leads the reader through all three books simultaneously, following notes within page footers à la the Choose Your Own Adventure