Following the conclusion of her Climate Visionaries project undertaken with Greenpeace, Jason Katz speaks with Lauren Groff about writing climate fiction, her climate-related work, and talking to our youngest about climate change.
Brandon Taylor’s new novel explores the anxiety of being alive, the exhaustion of being black in America, and the cruelty that is embedded in human interaction.
Theresa Hak Kyung Cha’s 1982 book confounds expectations at every turn. Specifically, there’s something monumental about the text’s extreme lack of metaphor, its striving toward objective observation, that feels to me—in this moment—absolutely poetic.
Jenny Offill’s new novel is collection of portraits, of individual truths and national anguish, curated by a quietly unravelling woman.
As panopticon-like tactics of controlling certain populations become increasingly widespread, Abdel Aziz’s debut novel gives us a peek into the authoritarian future to which such surveillance could lead. Within the tyrannical panopticity, she insists on the power of visibility as double-edged tool of oppression and revolution.
Far from offering us the possibility of a peaceful reconciliation with the past, Butler suggests that the only way for her protagonist to free herself from it is to assert her own worth over that of her slave-owning ancestor, even if he is her kindred.
Poupeh Missaghi’s debut novel follows a protagonist obsessed with finding out why Tehran’s statues are disappearing. It’s an experimental hybrid work that combines a traditional novel narrative with quotes from theorists and writers, dossier-style notes on people who have been made to disappear after death, and poetry.
Babel witnessed pogroms in his youth, lived through times of disdain for Jews and intellectuals, and died at the hands of Stalin’s secret police. Nonetheless, this master of the short story accomplished much. Now, with antisemitism on the rise worldwide, reading Babel reinforces the power of wit when challenging
In Magi’s book-length poem, which revives a cosmopolitan way of being that has gone out favor, textures of physical borders are examined as speech while actual speeches are recovered from books and archives to reveal ways we might begin to comprehend the borders that entrap us.
Monson’s newest collection, out tomorrow, continues his exploration of essays and essaying, scrutinizing the “I”; playing with prose and white space on the page; and examining the nature of memory—all while suffusing his observations with the cultural elements he examines in earlier collections.