Guadalupe Nettel's writing, in an excellent translation by Rosalind Harvey, is spare, occasionally eerie and always elegant.
Readers must view Dawson's book-length poem from an intersectional lens—regarding the impact on the narrative voices of the white gaze, the male gaze, and the gaze of the self—in order to fully experience its nuances.
The Alamo is a physical manifestation of Stasi-like doublespeak, a celebration of white mediocrity, white insularity, and the deep need to claim victory at all costs despite thorough defeat—a strategy for decentering truth not unlike the modus operandi of the Trump administration or its lackeys.
“Ewer Toccata” depicts the surprise that Saar Yachin—a poet, translator, and musician—experienced when he moved to the desert town of Mitzpe Ramon in southern Israel and was hit by divine inspiration. “I went to the desert to find quiet,” he writes. “Boom! Ewers of poetry.”
How can and how does the poet contribute to the political, historical, and economic tradition of their society?
If de Vigan’s novel indulges the writer’s fear that the writing may dry up, King’s indulges a different but related fear: that you will be forced to write, forever, what you long to outgrow.
It doesn’t take much formal study to read a novel in another language, if you don’t mind being unable to understand the occasional sentence or paragraph. It depends more on guessing and sympathy with a particular language or culture than it does on a knowledge of grammar or vocabulary.
Hamilton’s reconstruction of Athenian tragedy, Americanized to focus on individual “poetically transmuted pain,” appealed to Robert F. Kennedy.
Last year, Julie Maroh published another graphic novel, Body Music, a series of short vignettes about people and their love stories. It takes place in Montreal, starting July 1st – the day when people usually move out or in – and spans one year, coming back full circle.
When I began to make a concerted effort to study Irish in college, I could not help but feel at times that the process was less one of starting from zero than of anamnesis, the slow recollection of a dormant inborn knowledge.