There are too many beloved books and not enough prizes, and somehow they get lost underneath all the news about the really important books that I should be reading.
Set in 1970s Ireland, Dorothy Nelson’s In Night’s City is an obscure, deceptively slim book. Unofficial predecessor to Eimear McBride’s A Girl is a Half-formed Thing, the novel charts Sara’s attempts to assimilate sexual abuse, suffering, and shame.
The Lost Prayers of Ricky Graves starts, like many books set in a small town, with a homecoming.
I chatted with Michael Reynolds about his Bookselling Without Borders program, Europa Editions’ unique mission in the field of translation publishing, and how Reynolds’ life and time abroad informs his sensibilities as an editor.
How to control the body is a constant theme in Washuta’s work.
These three presses dropped their very first chapbook this calendar year: Barrelhouse, known for its literary journal; Third Man Books, Jack White’s Third Man Records’ publishing outlet; and Sutra Press, a brand new micro-press out of Clarksville, Arkansas.
How might the practice of scansion as a tool toward understanding and crafting poetry become more equitable and expansive so as to allow for poets’ and readers’ different fundamental orientations toward language?
Marian Crotty’s superb short story collection, What Counts as Love, won the 2017 John Simmons Short Fiction Award, judged by Andre Dubus III.
Muhammad’s criticism is far-reaching, pulling together literature, politics, and religion in a quest to reckon with the black experience in modern America.
This week, I reread Alexandra Kleeman’s short story “Choking Victim”. I had first read it when it was published in The New Yorker in May 2016, when I was spending most of my days at home with a mysterious newborn.