Albert Camus Archive
If a critic can write through a text, in what sense, then, does the novelist write through life?
In thinking about climate change, we can take a lesson from those masters of the absurd—Franz Kafka, Albert Camus, and Samuel Beckett—to conjure uncanny and grotesque situations that, more than a realistic or scientific view, may come closer to expressing the contradictions that make up our world.
The writers discussed the many ways in which fiction can respond to fiction. Of particular note was the impetus for using a particular source text—what inspired the response—and the extent to which a retelling can or should stand on its own without an intimate knowledge of the original.
Has a young child ever asked you to watch him run? Are you ready? he asks, and then the same intense eyes that one tries to remember a dream with. Then his arms start pumping at a speed that must seem lightning-fast to his own mind but really looks
Kamel Daoud’s The Meursault Investigation is getting a lot of attention. This retelling of Camus’ classic The Stranger imagines the eyes that stare down Meursault’s gun. The unnamed Arab from the original is given a name, Musa, and a brother, Harun, who tells the family’s story in a bar.