Alexander Chee Archive
Those of us who experience trauma find it difficult to put our experience into words in the first place. Many of us flounder, sputter, or stay silent, at a loss for how to adequately translate our experience into language.
Lilliet Berne, the orphan turned courtesan turned opera star who serves as the protagonist of Alexander Chee’s 2016 novel, embodies the complicated interchange of power and weakness that accompanies a woman’s silence.
Alexander Chee, Dennis Norris II, and Brandon Taylor, each in their own literary style, paint queerness as an out-of-body experience.
Last April, I attended Alexander Chee’s talk on reporting the self. He said: “The thing that you remember is the thing that you live with.” I’d never heard this truth stated so clearly before. What else but memory could be at the root of so many personal conflicts and
Raw from the loss of his father, Chee says he got into Tarot because he “never wanted to be surprised by misfortune again.” In Tarot cards he found a tool that could enable him to take power over a life that had rendered him utterly powerless.
In Alexander Chee's debut novel, Edinburgh, Chee utilizes song as a discovery space for the body, giving insight into how the main character, Fee, understands his sexuality.
On Twitter, people keep saying this “isn’t normal.” In this story, the villain is an exception to the rule of normalcy. Maybe, I thought, that story is easier to tell than the real one.
In the first chapter of Alexander Chee’s long-awaited new novel The Queen of the Night, the opera-singer protagonist surprises party-goers at a Paris ball by bursting into an aria from Gounod’s Faust. The scene has a scandalous, erotic backstory (too complicated to recount here, but it involves two brothers
Social media is in the spotlight—or crosshairs, as it may be–in the literary landscape this week. Several articles and author interviews have touched upon both the benefits and the tremendous costs known to an author maintaining their online presence, none of them coming to a firm conclusion about whether it’s better to be
Elizabeth Koch recently conceived of a promising new literary venture, Catapult, that launched yesterday. Jennifer Kovitz, the publisher’s publicity and marketing director, said that “Catapult is dedicated to spotlighting extraordinary narratives (as fiction, nonfiction, memoir, and graphic/illustrated projects) and we intend for Catapult to be an inclusive community for writers at