Several years back, I read a book that was unlike nearly any other I’d read before in one striking way: nothing particularly bad happened in it. The protagonist experienced minor internal struggles and dilemmas, but basically, everything came up roses. This felt like a major departure from Great Literature
The Versions of Us Laura Barnett Houghton Mifflin Harcourt, May 2016 416 pp; $26.00 Buy: hardcover | eBook The Versions of Us, Laura Barnett’s tapestry romance, is in many ways Margaret Atwood’s “Happy Endings” fleshed into a full-novel. The novel’s main style device employs just what the title promises:
Milton Resnick (1917—2004), was one of the most articulate and interesting of the abstract expressionists. I knew his work, but this past summer I discovered his personal history through a recently completed manuscript, Milton Resnick: Painter in the Age of Painting, by Geoffrey Dorfman, author of the well-received, Out
In 2009, I was at the annual AWP conference in Chicago, heading into a panel session about flash fiction. Coming out of the room from the last session was Audrey Niffenegger who, even without her name tag, would have been distinguishable by her auburn hair. “Excuse me,” I said.
One morning in late September, I found myself backstage at the “Annual Day of Peace” in Covington, KY—an event that kicks off October as Domestic Violence Awareness Month. I’d been asked to perform a song I wrote about my family’s history of domestic violence, and was listening as speakers
Hey Poets. I was in LA last month for music work, and I think I found something you dropped: The public. So—Maybe you weren’t sure when you lost it, but you seem pretty certain music stole it. Or film perhaps? Or YouTube cats? Meanwhile, poetry’s stayed alive. It’s been breeding