Best American Short Stories Archive
Much like our lives, short stories are brief and end abruptly. They summon entire worlds in just a few pages and then bow out, with startling precision and compression. It is a delicate balance, and such delicate work requires small hands.
After one year of writing my novel, I took stock of what I’d accomplished—which seemed like very little. Would writing always feel like flailing? How do novelists find their way through? For guidance, I turned to published novelists, whose interviews are presented in the One Year In: Writing the Novel series.
In his introduction to the most recent issue of Ploughshares, guest editor Peter Ho Davies says that the thrill he found in each selected story was the sense that it spoke to him alone. But how do you make that happen? We’ve talked about a lot of different strategies to make
Ostracon by Alex Rose, originally published in Ploughshares‘ Fall 2008 issue, was accepted for publication in Best American Short Stories 2009. Edited by Alice Sebold and Heidi Pitlor (a former Ploughshares intern and author), the volume contains stories that are widely regarded to be the most outstanding of that