In recent collections, poets Anne Champion, Carla Harryman, and Cate Peebles invoke familiar literary forms only to reframe them as vehicles for feminist critique.
Testament G.C. Waldrep BOA Editions, 2015 144 pp, $16 Buy: paperback | Kindle | Nook An endnote to G. C. Waldrep’s excellent new book-length poem points out that it “originated as a exploration of and response to three texts,” Lisa Robertson’s Magenta Soul Whip (2009), Carla Harryman’s Adorno’s Noise