Charlotte Bronte Archive
From childhood, the Brontë siblings held each other’s intellects in high esteem and together made a web—a story-catcher—out of their own disparate interests, their ideas acting as warp and woof, their mutual love and respect a catalyst for their later works.
Though genre forms and conventions have changed rapidly throughout the short history of the novel, the popularity of one subspecies has endured: the bildungsroman, or coming-of-age novel.
The reputation of the nineteenth century novel tends to precede its reading. By this I mean: few readers come to first contact with the likes of JANE EYRE, MIDDLEMARCH, or TESS without some established prejudice for or against the genre, usually in the milieu of a middle or high
In many ways, visual art gave birth to literature. The first stories written down were cave paintings. For years our alphabet was made up of pictographs which simply meant that the only people who could tell stories were those who could draw.
When we go to inspect female-presenting writers, the canon is too familiar: Emily Dickinson, Charlotte Bronte, Jane Austen. There’s no purpose in arguing this. What’s more interesting is uncovering forgotten women writers—women who wrote poetry with T.S. Eliot and Ezra Pound in life, or produced movies with Alfred Hitchcock.
Writer Catherine Nichols’ recent experiment, in which she submitted a manuscript to agents under a male pseudonym and received eight-and-a-half times the number of responses that the same manuscript received under her real name, confirms a gender bias in publishing that desperately needs addressing. Nichols is not without precedent in
My childhood copy of The Secret Garden is unusually pristine for one of my books though I read it many times. Two of us must have worked hard to keep it that way; the book was my mother’s before it was mine. Next to the flowery, rabbity bookplate I
In this second installment of the Literary Blueprints series, we’ll look at the Mad Woman. Don’t forget to read the first Blueprint, The Byronic Hero. Origin Story: Also referred to as “The Mad Woman in the Attic,” this character type hails from the dark side of Jane Eyre. Bertha
In our Writing Lessons series, writing students will discuss lessons learned, epiphanies about craft, and the challenges of studying writing. This week, we hear from Miranda K. Pennington, a student in the MFA program at Columbia University. You can follow Miranda @MirandaKPinNYC. —Andrew Ladd, Blog Editor Whenever I’m in search