There's never been a better time for poetry chapbooks, with hundreds of presses publishing excellent, innovative examples each year. This proliferation invites a closer look into the chapbook's history as a medium for more direct engagement and dialogue between writers and readers.
An encounter with the unexplainable can evoke awe, terror, confusion, denial—a whole spectrum of emotions. In “Float” (The Georgia Review), Reginald McKnight explores how a young narrator deals with encountering the unexplainable in his own home, and what ramifications that has for our society at large.