Hearing Voices: Women Versing Life Archive
When Versedaily posted Benjamin Sutton’s, “three poems from Refutations by Memory,” originally published at burntdistrict, founding editors Jen Lambert and Liz Kay saw a marketing opportunity— one that also created conversation around Sutton’s poems— and offered a lottery for a free subscription to anyone who posted a comment about
I happened to read Natalie Diaz’s book When My Brother Was an Aztec (Copper Canyon Press, 2012) on July Fourth, and it was a surreal experience. I live on small lake in Massachusetts, and as the neighbors blasted the sky with exploding light I wondered about the Wampanoags who
The work of getting a manuscript published, that rejection and frustration, begins to feel at times like self abuse. Writing is a lonely adventure, but most of us feel driven to it; quitting is inconceivable. Submitting work, though, is more like managing a business, and most poets I know
“You can say anything with kindness” is the oft-repeated phrase of most professors in writing workshops. It’s a reminder, of course, to speak the truth in our criticism of each other’s work, but to speak it gently. It’s one way to make the workshop environment feel safe and comfortable.
Now you’re on an auction block, struggling to stand, naked except for a scrap of blanket wrapped around your shoulders. You watch as money exchanges hands and realize that you are owned now, someone’s belonging. These new people call you Phillis, again and again, as if the name your
I was fifteen when I decided I would make myself appreciate Emily Dickinson. One summer afternoon I sat down on my bedroom floor with a small book of Dickinson poems I’d been given as a gift and a dictionary. I’d never looked up so many words (I was not
As the recent VIDA graphs all too clearly indicate, there’s a wide disparity between the number of men and the number of women published in well-known literary journals. One explanation for the lack of women’s voices in literature may be that so many of us tend to our careers