James Baldwin Archive
Regarding writing in exile within one’s own country, James Baldwin might facetiously ask, “Exiled from which America?” He might invoke W.E.B. Du Bois’ double-consciousness and say, “You should know you were only really a part of it insomuch as you could see out of your own eyes and perceive,
Spic, Richie said in the cafeteria, and I don’t remember why. After, as we walked back to our fourth grade classroom, I pushed him down when he turned his back.
Provence is one of these regions, like Bordeaux and the Atlantic seaboard, that have always had a strong connection to Anglophone cultures, starting in the seventeenth century when the court of the House of Stuart went into exile in Avignon.
The debate about whether Rupi Kaur’s poetry (and by extension, the whole genre dubbed “instapoetry”) is good or bad has apparently been revived. Whether that debate is actually useful in the terms it has set out for itself remains to be seen. Most often, it seems, when the poet
Of course, the circumstances between Hurricane Harvey and the 1943 Harlem riots are different, but the fault lines exposed by those events are not.
James Baldwin’s short story, “Sonny’s Blues,” is published in the summer 1957 edition of the New York City literature magazine, Partisan Review. The story’s narrator is a high school teacher from Harlem struggling to reconcile his relationship with his younger brother, Sonny, a jazz pianist hooked on heroin.
Just last week, I received maybe the first piece of editorial advice that I felt compelled to flat out reject: that Latinx writers have a moral obligation to not write stories in which Latinx characters are portrayed in the context of the drug war or violence or anything else
Many of us will need to cope with, resist, or try to understand (or all of the above) Trump in 2017. So, below are 12 books—one per month—that can help with those unexpected projects.
In a 2001 Penguin introduction to the novel, Colm Tóibín writes: “In Another Country, Baldwin created the essential American drama of the century.” Baldwin’s novel is rife with symbols of life in the USA: jazz, cocktails, the movies, and the idea of “making it.” It’s a story of searching
How do you write about the end of the world? Or avoiding the apocalypse? The drying up of our water or our adaptation to living with less? How do you imagine—and make real—global superstorms and cities swallowed by the sea and the hottest summers on record?