James Joyce Archive
Two Irish masters of the short story, one following quite literally in the other’s footsteps. William Trevor’s story “Two More Gallants,” published in 1986 in the collection The News From Ireland, takes as its subject James Joyce’s story “Two Gallants” from The Dubliners, published in 1914.
The calamity of weather disaster in literature offers more overt indications of those who are vulnerable and exposed. From Shakespeare’s encroaching storms to Richard Wright’s floods, from Zora Neale Hurston’s hurricane to Haruki Murakami’s quakes, we learn that we have to keep our eyes on the skies and our
There’s something wonderful in the thought of the subconscious of James Joyce meeting with that of Joyce Carol Oates to create her story “The Dead,” a response to his story of the same name.
Though genre forms and conventions have changed rapidly throughout the short history of the novel, the popularity of one subspecies has endured: the bildungsroman, or coming-of-age novel.
When I was a child growing up Catholic, the Feast of the Epiphany struck me as an afterthought. December was all about the thrilling run-up of Advent, characterized by candle lighting and singing at mass and by lists for Santa and chocolate-filled calendars at home. Finally there was the
Much like our lives, short stories are brief and end abruptly. They summon entire worlds in just a few pages and then bow out, with startling precision and compression. It is a delicate balance, and such delicate work requires small hands.
Piscataqua Press is a unique publishing project operating out of RiverRun Bookstore in Portsmouth, New Hampshire. For Ploughshares, Tom Holbrook shares his motivation for beginning the press, how selections are made, and what he thinks are the editorial responsibilities of working with “pay to publish” titles.
One of John Updike’s early and most anthologized stories, “A & P,” from Pigeon Feathers and Other Stories, is a modern retelling of James Joyce’s “Araby” from The Dubliners.
What is your writing routine? What does it look like when you sit to write? Any special rituals? I am so glad you asked. It’s really pretty great. I sit at my computer, and I check Facebook for, like, ten minutes. Okay, haha, twenty minutes. And then I write.
The fiction writing workshop I’m teaching for Spalding University is winding down the day I discover that, behind Oyster Lodge, where our classes meet, at the end of Galway Bay, there’s a small castle. I’m satisfyingly tired after exploring Dublin and Galway through the lenses of their literature and