Jeffrey Eugenides Archive
The Spatialization of Fiction
Spatial conflicts and curiosities (the lighthearted call to the open road, for example) can undergird the entire momentum and tone of a novel. Without knowing a character’s place in the world, it’s challenging to gather the full context of their decisions.
In Defense of the Unsatisfying Ending: The Virgin Suicides
When I read this passage at fifteen years old, I was furious. I thought this ending, which centered the boys’ narrative over the girls’, undermined everything that came before. I felt dissatisfied, like I had been cheated out of a proper ending. But that frustration was ultimately very productive.
Enchanted Prose: Lyrical Language as Strength in the Mythic Novel
Mythopoeia, the making of myth, is primarily considered a genre reserved for writers of high fantasy (Tolkien coined the term). But to restrict mythopoeia to fantasy alone—to think of mythopoeia as a genre rather than a technique—is a disadvantage to realist writers, who then miss out on the advantages
What are Words For?
“That for which we find words is something already dead in our hearts. There is always a kind of contempt in the act of speaking.” I’ve always bristled at Nietsche’s many remarks on language. Here’s another: “All words are prejudices.”
Mirrored Crisis: What Jeffrey Eugenides’s MIDDLESEX can show us about today’s refugee crisis
We’ve been here before. The scenes we’ve seen and read about in the refugee crisis that has overwhelmed Eastern and Western Europe—Alan Kurdi cradled by the Turkish officer, people bearing their possessions on their backs held back by border police, and the drowned misery of the camps in Lesvos—have
We Have Something to Say
Inside most classrooms lives a beast, many-eyed. If you’ve been a student in a classroom, especially in those early grades when a year lasts an eon, you’ve been part of this beast. You saw your elementary-school teachers with a collective, sharpened vision (their combovers, fluffy perms, paunches, thick, magnifying
Round-Down: Enough of Genre Debate Already
I’m a little disappointed in Jennifer Weiner. And not in the way you’d think. Certainly not in the same way as Jonathan Franzen. Rather, I’m disappointed that she’s seemingly buying into the genre vs. literary distinction while she (admirably and very hilariously) defends herself on Twitter against Franzen’s latest attacks.
Round-Down: Literature To-Go
Restaurant chain Chipotle just announced plans to add to their recent “Cultivating Thought” series, including such writers as Jeffrey Eugenides, Amy Tan, and Neil Gaiman. The project’s promise is simple: great, short writing by these and other talented names–offered on burrito bags and soda cups. The prodigiously talented Jonathan
What’s Done is Done is Done Again
As a creative writing instructor, I get asked two questions more than any others. The first is easy enough to answer: “How do I find time to write?” There’s no secret here—set a schedule and get to your desk. The second question, however, continues to stump me, both as a
Episodia 1.6: The Five Pillars of Place
As a writer, reader, and a creative writing teacher, I am—for now and forever—a staunch proponent of the place-based narrative. When we think of stories, we tend to focus on those bound to particular characters or events. And yet, some of the most compelling plot lines found in literature