Jonathan Safran Foer Archive
Silence and Memory in Everything Is Illuminated
By revolving the story around Augustine’s silent photograph, Foer draws on the elegiac nature inherent in photography while examining the limitations of representation.
Showing Up; or, Passing “Thirty Under Thirty” Eligibility
In Everything is Illuminated and Extremely Loud and Incredibly Close, Jonathan Safran Foer had tapped into that well of invisible truth, while I—an aspiring writer struggling to sit my ass long enough in a chair to produce anything at all—could only hope to scratch the surface.
Review: HERE I AM by Jonathan Safran Foer
Though it asks the questions, Here I Am is not here to answer inquiries, eschewing easy answers or clean endings. It may not be a manual for life, but it is a way of locating oneself in the world.
Mirrored Crisis: Post-Trauma Diaspora Memory through Jonathan Safran Foer’s EVERYTHING IS ILLUMINATED
The aftermath of war and displacement is often a diaspora, the literal scattering of a group’s seeds far from the tree of origins. However to call that wrenching of branches, as was discussed in Part I of this series (Mirrored Crisis: What Jeffrey Eugenides’s Middlesex can show us about today’s
Out of the Blue and Onto the Page: How Translation Rekindled My Passion for Writing
When my mother, born in America to Israeli parents, first met my father in Tel Aviv, she said she knew he was right for her because he was an American living in Israel. As a young woman who grew up in transit—constantly being moved around between the two countries—she