It is a good thing that Kathryn Schulz’s “Citizen Khan” was published in The New Yorker, because it is so eerily textbook perfect a piece of longform feature writing that had it come through a lesser fact-checking department, I might have worried some of the details were made up.
In an episode of Master of None, Dev and Arnold walk home from a mostly uneventful night out at a bar. One remarks how cold it is. The other says it’s supposed to be nicer the next day. Dev acknowledges how cliché and potentially banal the topic at hand