Madeleine L’Engle Archive
What does it mean for an otherworldly fantasy to associate itself so closely with the language of real-world historical and contemporary figures? How does drawing from the language of the outside world enhance the interior, contained universe that exists within a film or novel?
I read much of Shirley Jackson’s memoir of raising four children, Life Among the Savages (1952), on a weekend when I was caring for three children. For a brief stretch—maybe five pages—we achieved a fragile equilibrium and they were all attached to me as I read.