It’s no secret that Mexican writers are making a comeback. Though it should be said Mexican writers have never left the building. They’ve been around: working, translating, publishing in plain sight as the rest of the western world goes on lamenting boom writer after boom writer’s death. In the
I went to Mexico City to write about it. But also to read a lot too. To slough off the rust of my own ignorance about this country my family came from. You can never read enough. Such is the shame of academia. But the beauty of being young
I’m always looking for a stellar book come November. National Novel Writing Month (NaNoWriMo for the uninitiated) is about as appealing of an idea as having a month-long dental procedure and about as equally fun to be around. So, I mostly hide away. I do the opposite of what
I mostly sit at the window when I’m working at Café la Habana. I have a spot. It’s the same spot where I sat when my buddy, Santiago, first brought me for coffee when I arrived in Mexico City. But I’m attached to the spot for other reasons too.
The Literary Boroughs series will explore little-known and well-known literary communities across the country and world and show that while literary culture can exist online without regard to geographic location, it also continues to thrive locally. Posts are by no means exhaustive. The series originally ran on our blog from May 2012 until April 2013.
Every once in awhile a book comes across my desk that I read and can’t believe hasn’t blown up bigger already. Jennifer Clement’s Prayers for the Stolen is the thing I’m big on right now, a novel about the dangers of being a girl in contemporary Narco Mexico, narrated
I was 21 years old when I first read José Emilio Pacheco, one of Mexico’s premier literary writers, who died earlier this month. I found him by being nosy, browsing through my friend’s bookshelves while he was having sex with his girlfriend in her father’s Land Rover, somewhere out