multimedia Archive

How to Do Things With Readings: After Cave Canem’s 20th Anniversary

Like any literary form or rule, the poetry reading raises questions regarding subjectivity and context: whose conventions are these, what do they enable, and how do they suit the projects at hand?

People of the Book: Mara Mills

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People of the Book is an interview series gathering those engaged with books, broadly defined. As participants answer the same set of questions, their varied responses chart an informal ethnography of the book, highlighting its rich history as a mutable medium and anticipating its potential future. This week brings

The Suburbs: A Multimedia Extravaganza!

Author: | Categories: Writing 1 Comment
Okay, for my final post about the suburbs (probably), I say enough about books. Let’s talk about what’s really important: TV, movies, music, and even a little art. On The Tube TV is lousy with images of the suburbs these days, but of course it always has been.  Recently,

Close Watching: Tech + Text = The Reading Paradigm of the Future?!

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When it comes to good ol’-fashioned reading, the influence of new-fangled technology is rarely construed as “positive.” A recent Pew Internet Study suggests our that our brains are being “rewired” for attention deficiency by nonstop, rapid-fire access to information. Adbusters’ Micah White accuses the Kindle of “mimicking the external traits

REDACTED: Experiences with Digital Americana’s Interactive Literary Magazine

Author: | Categories: Publishing 1 Comment
This post was written by John Rodzvilla, Emerson College’s Electronic Publisher-in-Residence. There has always been somewhat of an unrealized promise of interactivity with digital literature. It should be more than an enhanced experience of the print original, but still reflect the intentions of the artists. The Electronic Literature movement

“I Pledge My Death-Wattle to the Cause of Poetry”

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Guest post by Peter B. Hyland One of the finest readings I can remember attending took place a few years ago. It was held at the Museum of Printing History in Houston, a serene little building displaying so many typographical wonders that each time I leave I feel compelled