The view camera creates a particular kind of image through extreme pause and meticulous composition; by writing about a view camera, McPhee creates a particular kind of essay, one that uses the techniques of both view camera photography and narrative.
In the brief back-cover description of Lauren Berry’s The Lifting Dress, we read: “Set in a feverish swamp town in Florida, The Lifting Dress enters the life of a teenage girl the day after she has been raped.”
“We live in a late-capitalist situation where if something is not worth money then culture says it’s not worth anything at all.”
At the Contemporary Museum of Art in Montreal, Ragnar Kjartansson’s “The Visitors” plays on nine screens in a dark theater. Each screen features a single musician set to the backdrop of a room in a chateau, which is in disrepair: one woman in a pale lace dress plays cello
By now it seems everyone’s read Junot Diaz’s MFA vs POC blog on the New Yorker website. Even my freshmen at Cornell these days say to me, “Dan, was it really like that?” Usually I just shrug in response. I was a notorious recluse in my MFA. I had a girlfriend—now fiancé—in New
Okay writers, it’s 2014. And what better way start a new year than with an enormous media controversy surrounding a Scorcese film? I KNOW: perfect. If you’ve missed it (I’m sure you’ve had your noses to the ol’ writing grindstone), here’s the deal: The Wolf of Wall Street is a