I’ve always thought of stories of new parenthood as a cross between how-to manuals and cautionary tales. It wasn’t until I read Meaghan O’Connell’s memoir that I realized mothers don’t write their stories for the benefit of those without children—whether their stories scare me or encourage me is irrelevant.
Elizabeth Onusko’s poems are sharp-edged, sometimes bleak, but also very funny; they feel timeless, but also of the moment in their portrayal of the complicated emotions surrounding infertility, pregnancy and impending parenthood. We caught up to talk writing, editing, parenting, and how that third activity reshapes the other two.
Dear Sally: In June, when I was running around from school picnics, to award ceremonies, graduations, lacrosse jamborees, school plays and concerts, I longed for the dog days of summer and no morning routine. But now summer is here and I can’t wait for school to start. Help.
After one year of writing my novel, I took stock of what I’d accomplished—which seemed like very little. Would writing always feel like flailing? How do novelists find their way through? For guidance, I turned to published novelists, whose interviews are presented in the One Year In: Writing the Novel series.
In retrospect, I did everything wrong when I opened Emma Donoghue’s excellent story collection Astray. I didn’t check the author notes explaining the origins of each piece. I didn’t note the time: midnight. It didn’t occur to me that in a collection chronicling historical moments, there might be violence,