I’m going to begin by asking your forgiveness for two things I usually don’t do. The first is speaking Spanish in my English. The second is using the prefix meta-. But this is a family of meta-fictional twins, and come on, don’t you agree that “Pierre Menard, autor del Quijote” sounds better than “Pierre Menard, Author of the Quixote?”
Here is what I mean by meta-fiction: all these books, stories, and bodies of work contain made-up books and bodies of work. Some are based on real books. Some are making fun of real books, a little bit, gently. Some are invented entirely. And one, you can go out and buy. Hint: it’s not Don Quixote.
In the short story “Pierre Menard, autor del Quijote,” Jorge Luis Borges describes the work of an author who set out to write
“the Quixote itself. Needless to say, he never contemplated a mechanical transcription of the original; he did not propose to copy it. His admirable intention was to produce a few pages which would coincide—word for word and line for line—with those of Miguel de Cervantes.”
He succeeds, but what he creates is an invisible work: someone else’s novel.
Plenty of writers have tried to recreate J.D. Salinger’s The Catcher in the Rye. I’m sure it has more twins out there, imitations or fictional versions, but I’m picking these two because I love the books where I found them. In James Magnuson’s Famous Writers I Have Known, a con man named Frankie Abandonato, finds himself impersonating V.S. Mohle, a writer who isn’t J.D. Salinger just as much as the Fiction Institute of Texas, where this impersonation takes place, isn’t the Michener Center at UT-Austin, where Magnuson teaches. Elinor Lipman describes Famous Writers I Have Known as “triumphantly preposterous,” but having been a creative writing student not too different from the ones Frankie teaches, I don’t find it too ridiculous. And I wouldn’t have minded a class with a con man, either—because (and Magnuson doesn’t put nearly this fine a point on it) fiction is its own kind of con.
And then there’s & Sons, a much more serious book, though perhaps more preposterous in its ultimate plot twist. David Gilbert probes through the male relationships in two mirroring families, one of which has at its helm the novelist A.N. Dyer, author of Ampersand, which, to be fair, sounds like The Catcher in the Rye rolled together with Tobias Wolff’s Old School and a bit of The Lord of the Flies. V.S. Mohle’s Eat Your Wheaties, on the other hand—that’s straight Salinger.