Philip Roth Archive
As she got older, anytime someone was thinking of leaving town, my grandmother would implore them to stay, reciting the refrain that has now become a family catchphrase: “Don’t go no place,” she’d say. Family is the place. Nobody understands this interpretation of the utopian ideal better than immigrant
A tantalizing bildungsroman beginning convinces the reader not only that the protagonist is worth listening to, or that the world of the novel is worth observing, but also that there is an interesting friction between the narrator and her surroundings.
Philip Roth’s book is an in-depth, punch-in-the-gut study of the notion of judgment and blame-laying.
I delighted in Alexandra Petri’s column, “An Easy Guide to Writing the Great American Novel.” A writer must be able to laugh, kindly, at herself, and perhaps less kindly at others, especially when those others are extremely successful.
While Showtime’s The Affair has been praised for its incisive exploration of the unreliability of memory, particularly in romantic relationships, some of its most insightful commentary is on the contemporary literary community.
Are you a writer looking for a situation with built-in irony and ample opportunities for subtext? Have you considered a melancholy birthday scene? I’ve collected a few merciless examples for consideration. “Referential,” by Lorrie Moore Moore dives into the irony of the sad celebration in the first paragraph of
Look, I’m not trying to be Internetty. But at the end of a year I’ve spent thinking a lot about friendship, I don’t want my last post to be another family tree. Instead, I want to write about books that are my friends. I want to write about the
I’m going to begin by asking your forgiveness for two things I usually don’t do. The first is speaking Spanish in my English. The second is using the prefix meta-. But this is a family of meta-fictional twins, and come on, don’t you agree that “Pierre Menard, autor del Quijote”
Disclaimer: These two writers are not actually enemies. As far as I know. In 2003, Harold Bloom wrote in the Boston Globe that there were only four great American novelists alive and working: Don DeLillo, Cormac McCarthy, Thomas Pynchon, and Philip Roth. I don’t agree. I think there were
So, we’ve talked about the beginning, the end, pluck, resiliency, and life—and yet here we are, still, wading through the slush pile. How many licks does it take to get to the center of a Tootsie Roll Pop? The world may never know, and how to have a reader pass