From the Slush Pile: What’d She Say?

Frankfurt-Oder, BauarbeiterSo, we’ve talked about the beginning, the end, pluck, resiliency, and life—and yet here we are, still, wading through the slush pile. How many licks does it take to get to the center of a Tootsie Roll Pop? The world may never know, and how to have a reader pass on your work feels just as elusive.  A tip: nothing is more effective than good dialogue to keep a reader engaged, and nothing can turn a reader off faster than schlocky conversation. Picture Charlie Brown listening to his teachers: womp, womp.

Author, Elizabeth Bowen, says, “Dialogue is what people do to each other.” It should be used to convey attitude, not information. When dialogue is used for exposition it sounds stilted and almost always falls flat, taking the reader out of the moment. Dialogue, when done right, provides economy in revealing character through word choice, dialect, and inference, to name a few. Done well, it pushes your story forward by suggestion. Mark Twain says, “The difference between the right word and the nearly right word is the same as that between lightning and the lightning bug.”

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Roundup: Writers and Their Mentors

In our Roundups segment, we’re looking back at all the great posts since the blog started in 2009. We explore posts from our archives as well as other top literary magazines and websites, centered on a certain theme to help you jump-start your week. This week we bring you posts about writers and their mentors.

From Ploughshares: