I take the five students of my poetry micro-workshop outside to discuss Claudia Emerson’s latest collection Impossible Bottle. As we sit in the sun, bending over the brilliant bright book pages, a student points to the poem “Metastasis: Web” and volunteers to read it aloud before our analysis of
When we go to inspect female-presenting writers, the canon is too familiar: Emily Dickinson, Charlotte Bronte, Jane Austen. There’s no purpose in arguing this. What’s more interesting is uncovering forgotten women writers—women who wrote poetry with T.S. Eliot and Ezra Pound in life, or produced movies with Alfred Hitchcock.
A few years ago at a conference, I read a section from my long poem “Sublimation” in which the speaker describes a miscarriage that, in its vicious pain and effusions, wakes her up in the middle of the night. After the reading, as I was mingling my way toward
Congratulations! You’ve published a book, and people are lining up to buy it. Now begins the trickiest part of an author’s journey: signing your own book. You’ve read an excerpt, charmed the crowd. You’ve perfected the swooshy drama of your signature. Uncap your Official Signing Pen. Take a seat. Lined
So—Eric Nelson is an agent with the Susan Rabiner Literary Agency. His own blog, “How to Think Like Your Agent,” is full of quick, no-nonsense advice. Here, he lends our readers a special dose of it: how to get an agent, from an agent’s POV. Check out his words
Wonderful Investigations Dan Beachy-Quick Milkweed Editions, April 2012 212 pages $20 Reading essays by poets is just plain fun. Take Dan Beachy-Quick. Author of five collections of poetry and now a second essay collection, Wonderful Investigations, he writes sentences like, “We must build a wall to find out that