Telling has the function of establishing authority, what our rhetorician friends call ethos, especially when the first-person point of view functions as a witness to an event or atrocity.
We don’t just grow up with Daley-Ward in this memoir—we grow up with the terrible as well. It is a haunting presence in her life, perhaps an imaginary friend. It is cruel, toxic, impossible to get rid off.
My earliest memories of the poetic representations of other cis women, like me, were highly sexualized. It seemed that women’s bodies, rather than the women, were (cis male) poets’ muses.
Dana Ward’s collection is the very picture of postmodern poetry: compulsively self-conscious and concerned with the act of writing as much as with the subject of his writing.
Last week, the National Book Foundation announced nominees for its annual awards in fiction, nonfiction, poetry, and young people’s literature. If we are, in the words of poet Kaveh Akbar, living in a “golden age of poetry,” what can a closer look at this year’s contenders tell us about
There are a number of practices and resources that can encourage the practice of reading generously or introduce one to new writers.
There are times for sadness and severity and all things bleak, and what do we do then? Luna Miguel might not have solutions but Stomachs reminds us that melancholy is not always destructive.
The question arises often in bookstore readings and writing workshops, cultural commentary and book clubs, and yet the answers remain slippery and incomplete, sometimes biased toward a particular aesthetic, other times umbrella-ed into compromising vagaries, all of which equally frustrate the long-haul poet and the beginning reader.
The chapbook box set New-Generation African Poets, edited by Kwame Dawes and Chris Abani, is the fifth of its kind, an annual project of the African Poetry Book Fund, produced by Akashic Books. The set consists of chapbooks by poets either living in Africa or of African heritage.
Allison Benis White’s prose poems evoke a world of loss and wonder, in which the mysteries of our daily lives are illuminated as a story that finds its shape in the telling. She is the author of three books of poetry, Self-Portrait With Crayon, Small Porcelain Head, and, most