prose poems Archive

Review: GHOST/LANDSCAPE by Kristina Marie Darling & John Gallaher

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In the collaborative poetry collection Ghost/Landscape (Blazevox, 2016) by Kristina Marie Darling and John Gallaher there is no beginning or end. The first poem is “Chapter Two.” So begins traversing a time loop of poems where the reader can really “begin” anywhere. What is a beginning and what is

“Slipperiness of Signification”: An Interview with Lee Ann Roripaugh

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In her most recent book, Dandarians (Milkweed, 2014), Lee Ann Roripaugh writes in the borderland between poetry and prose, blurring boundaries and finding the unfamiliar music in everyday language. She is also the author of three previous books of poetry, including Year of the Snake, which won the Association

“It’s A Bit Mysterious, and I Like That”: An Interview with Frank X. Gaspar

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Frank X. Gaspar writes poems that are lyrical, powered by swift associations, and full of surprising images and leaps in thought that in retrospect make perfect sense. He is the author of five collections of poems, including Late Rapturous and The Holyoke, as well as two novels, most recently

“Little, safe boxes that contain trauma and violence”: An Interview with Jehanne Dubrow

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Jehanne Dubrow’s latest collection of poems, The Arranged Marriage, tells a difficult and moving story about the poet’s mother and her early life. The narrative gradually comes into focus for the reader through a sequence of beautiful, haunting prose poems—narrow blocks of words the poet likens to “newspaper columns”

Town of Shadows

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Town of Shadows Lindsay Stern Scrambler Books, 2012 96 pages $12 What: a debut prose-poem novella Who: the eponymous town of shadows And: its cast of shadowy characters, including a rug doctor, a lepidopterist, bureaucrats, a bodiless mayor speaking from a gramophone that sputters ash, a child with an

Not Unlike…

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Readings in World Literature Srikanth Reddy Omnidawn, 2012 42 pages $11.95 Editor’s note: P. Scott Stanfield holds a Ph.D. in English and teaches literature at Nebraska Wesleyan University. Recently, I challenged him to see how many references to other works and artists he could make in a single 500-word