There are a number of practices and resources that can encourage the practice of reading generously or introduce one to new writers.
Patrick Phillips is the author of Blood at the Root: A Racial Cleansing in America. Published last September, the book chronicles the racial history of Forsyth County, Georgia, going back to the Civil War and ending with it being fully cemented as an Atlanta suburb today.
Browne rightly points out that the engine behind Trump’s last 18 months of momentum has been his willingness to target any marginalized group without discretion, to unite his base through an undifferentiated, broad-spectrum hatred of anyone who appeared Other, no matter what kind.
It is a good thing that Kathryn Schulz’s “Citizen Khan” was published in The New Yorker, because it is so eerily textbook perfect a piece of longform feature writing that had it come through a lesser fact-checking department, I might have worried some of the details were made up.
Cortney Lamar Charleston’s “I’m Not a Racist,” published in One Throne Magazine, is an all-too-relevant rendering of “fair and balanced” evil. The poem, organized in couplets and single-standing lines, presents a mash-up of thoughts from a speaker who claims “I’m not a racist / I’m a realist,” in order
Kenneth Goldsmith, writing professor at the University of Pennsylvania and self-proclaimed “uncreative” poet, came under fire two weeks ago for performing Michael Brown’s autopsy report as a found poem at a conference at Brown University—and, in the aftermath, the incident has caused artists in every genre to ask: is